“Vertical Interference: Video, Drone Witnessing, and the Myth of Precision Targeting.”
Media, War & Conflict. (October 11, 2023)

“Archives of Intimacy: Gay Pornography and Queer Archiveography as Labors of Love.”
Found Footage Magazine 9. (October 2023)

“‘Hands at Work’: Patching Women’s Film Histories through Sabrina Gschwandtner’s Film Quilts.”
Cinema & Cie: Film and Media Studies Journal 39, pp. 127–45. (Fall 2022)

“From Art Gallery to Movie Theatre: Spectatorship in Julian Rosefeldt’s Manifesto.”
AM Journal of Art and Media Studies 15, pp. 135–46. (April 2018)


“Artificial Intelligence, Film Restoration, and Early Cinema: Notes from AMIA 2022.”
Domitor Snapshots. (Sep. 3, 2023)

“Early Cinema, from Provenance to Media Archaeology: Notes from the Media Matter Conference.”
Domitor Snapshots. (Mar. 25, 2020)


“A Cinema in My Living Room: An Interview with Microlights Co-Founder Ben Balcom.”
The Projector: A Journal on Film, Media, and Culture 18:2. (Summer 2018)

“Have We Met Before? An Interview with Cecelia Condit.”
Vernacular 2, pp. 32–41. (Spring 2018)


Review of Border Optics: Surveillance Cultures on the U.S.-Mexico Frontier by Camilla Fojas.
Surveillance & Society 20:1, pp. 108–09. (March 2022)

Review of Life in the Age of Drone Warfare by Lisa Parks and Caren Kaplan, eds.
International Journal of Communication 13, pp. 774–76. (February 2019)